‘When there’s joy, there’s room for hope’: Eberechi Eze, Leona Lewis, and Yinka Ilori in conversation with Ezra Collective

‘When there’s joy, there’s room for hope’: Eberechi Eze, Leona Lewis, and Yinka Ilori in conversation with Ezra Collective

Bandleader Femi Koleoso brings together the England and Arsenal star, the musician and the artist to discuss adversity, creativity and Black British culture

‘On the other side of pain there can be renewal’: Ezra Collective’s Femi Koleoso on reasons to hold onto hope
‘Like painting with light’: photographer Temi Adegbayibi on capturing the energy of music
My cultural awakening , featuring Ezra Collective

Femi Koleoso I wanted to bring together people who inspire me and whose work I think evokes hope and joy. Yinka, the first time I saw your work I thought: this is exactly what joy looks like – it’s bold, colourful and the perfect embodiment of that feeling. Leona’s music has brought me joy ever since hearing you when you were on The X Factor. You’re one of the most iconic Black British singers we’ve ever had. With you, Eberechi, your transfer to the Gunners meant a lot to a lot of Arsenal fans, but personally it was a really beautiful way of seeing that things do work out for the good people. Can you tell me about your journeys to where you are now?

Leona Lewis I grew up in Hackney and I was surrounded by music because my dad was a DJ. He had a million records he would play all the time. I gradually discovered people like Whitney Houston, Chaka Khan and Oleta Adams mainly through my dad and I got really drawn to powerful female singers. I started singing all the time. When I was at school, I had a hard time because I was bullied – singing and writing music became a way to find my voice, my joy and my confidence. From then, I knew music was what I was going to do with my life: I didn’t know how I would get there but I knew I had to. It’s interesting that you do a lot of youth work, Femi, because I went to a lot of youth groups in north London while I was getting into music and then from 14 to 17 I enrolled in the Brit School. It helped me establish my voice and since then I’ve always been obsessed with music and it’s become my therapy: my joy, my pain, everything.

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